 Lossless 1In Baron and Goodwin's Lossless series the “materiality” of the digital becomes the source-code for experimental execution. |  Lossless 2The artists' renditions of appropriated films are certainly not “lossless” (i.e. a copy of the original in which nothing is lost), but rather gainful: through various techniques of digital disruption – compression, file-sharing, the removal of essential digital information – the artists reveal the gain of a “new” media, full of material forms ripe for aesthetic sleuthing.
BRAXTON SODERMAN |  Lossless 3 |
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